those who lived, those who were forced to leave, who stayed in between

This series of charcoal-based photographic prints stands at the intersection of habitation and history. This living space was once used as a tannery and has been transformed into an architectural memory, labor, and political history. In Bankura, India, the architecture carries the memory of 1950, a year of trauma from the violence that followed partition, and this history largely remained undocumented. 2025, Rijksakademie.